Category Archives: Design Principles

Articles relating to how to do it well.

Playing Dominos on a Monday

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Filed under Arlington Rooftop, Color, Current Projects, Design Principles, Flooring

Today was pretty productive already, and it is only 1 pm.  My weekend was no different.  My weekend was insane.  I facebooked this morning that I needed a weekend from my weekend, and it was no exaggeration.  Between this bar project, four other clients in the midst of projects, and producing another musical, I only sat still for about 10 minutes and slept little more.

I met with my restaurant clients to go over the drawings for the table arrangements.  We made some decisions, and I tightened up some measurements. 

We went to see Bud, who is crafting the bar, to finalize wood stains.  True to form, this decision created a domino effect.   I felt that the first selections of stains were too orange since the bar is being fabricated out of maple, which naturally has a reddish undertone.  We decided instead on Old World stain, which is a wonderful rich brown, and not too deep to hide the grain.  But as a result, this selection required that the floor stain now be changed to a slightly deeper tone, because the contrast between the floor and the bar stain was just too great. 

Though it is never simple, I am really happy with the choices.  This maple stain brings out the metallic highlights in the glass tile that will cover four enormous columns.  And the new floor stain complements the wood-look tile planks perfectly. 

The Gray Area

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Filed under Color, Design Principles

Linda pointed to her ceiling. “What color is that?” she asked.  Not realizing this was a trick question, I immediately replied, “Slate blue.” Of course I shouldn’t hesitate.  We had just met only minutes ago.  What kind of decorator hesitates to answer such a simple question?

Turns out, a GOOD one.  Linda’s ceiling is, in fact, green.  She proved it to me by taking me into another room and showing me the same paint on her dining room wall. 

Her home already had green wall to wall plush carpeting and a sage ceiling when she moved in six years ago.  She began to decorate it with her own touches, so she painted the walls of the Family Room a deep gold to try to bring her palette into the space.  But something happened.  Before her very eyes the ceiling morphed to blue.

I know this phenomenon exists.  Even though I self-identify as an artist, I am infatuated with science.  I know the “science” of color.  This is the first time, however,  I had seen such a dramatic example.  The ceiling is partially shadowed, and is viewed from below.  Our brains, not our eyes, transform the color. From Discover:

 

“Neuroscientists have long believed that evolution hardwired the brain to amplify slight differences in shading, making it easier to perceive subtle details like a green snake in a green tree. Thus objects on dark backgrounds appear lighter than they are, and those on bright backgrounds appear darker. But science advances by replacing approximate truths with more precise ones, and new research suggests that this scientific “truth” is, at best, incomplete. The two experiments that follow help show why the thinking on this subject is changing…

…What are the colors of the squares indicated by the arrows in the two figures at right? For most observers, the one on the top looks blue and the one on the bottom looks yellow. But the two squares are actually an identical shade of gray. One possible explanation for this illusion is simultaneous contrast, a process by which your brain makes foreground objects take on the opposite hue of their backgrounds in order to improve your discrimination of subtle color differences. According to this theory, the top square appears blue because the figure is on a mostly yellowish background, while the bottom square looks yellow because it’s set against a predominately bluish background.”

More here.

Way Beyond Beige

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Filed under Bathrooms, Color, Design Principles, Rooms, Trend Spotting

There must be a lot of pink bathrooms still hanging around.  A 10 second Flickr search hit almost 3,000 and that was specifically typing only “pink toilet”. 

Pink, blue and green porcelain was enormously popular in the 50s and 60s.  It’s pretty shocking how many still remain and are in mint (lol) condition.   

Brightly coloring the place you poop seems like the oddest trend.  I wonder how it gained such popularity. It is so amazing that America bought this trend with such exuberance. Especially in light of today, where homeowners are paralyzed with fear even considering any home addition that isn’t beige.   This is not hyperbole, folks.  My clients LITERALLY clutch their hearts when I suggest carpet that is not tan, or tile that isn’t vanilla.

Pink toilets are frightening.  I understand that.  But so are plain, boring houses devoid of personality.  There are millions of other options out there.  Try one. No need to fear, because unlike the durable and well constructed toilet of the 50s, today’s products need to be replaced in 10 years anyway.

Well whatayaknow.  In researching this post I found a whole website dedicated to pink bathrooms!

Choosing Furniture

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Filed under Color, Design Principles, Living Rooms, Rooms

To continue yesterdays post, the second thing to bring home from the furniture store-besides measurements–  is the fabric samples.  It is vitally important to view fabrics in the place where they will eventually live.  Just as it is difficult to judge size in the massiveness of the shop, it is also difficult to accurately assess the color. 

The light in your home is different from the florescent glare of a showroom.  Color is influenced by what surrounds it.  Samples should be viewed near the flooring, paint and other objects in the room.  I have seen furniture that appeared blue in the showroom look green in the home. 

Step back and view the sample.   Has your impression of the color changed?  This can happen with tight, small patterns.   For instance, a fabric with a background of yellow and a pattern of small red checks can appear orange from a distance. 

In the photo above, the neutral swatch on the bottom right appears beige.  It’s actually a weave of green and coral.

Suzy’s Dilemma

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Filed under Color, Design Principles, Individualized Advice, Kitchens, Rooms

I received a series of emails from Suzy in Maryland yesterday. I will copy the first here:

Denise –

I came across your website looking for ideas for my kitchen/family room.

We are in the process of redoing the kitchen.  The layout of the area is very open and includes the kitchen, a nook for the table, the family room (with a reddish brick fireplace – brick to the ceiling) and a hallway area that connects the kitchen to the ½ bath and foyer.  This hallway area isn’t really a hallway, it is more an extension of the kitchen. The family room is one step down.  The family room has a vaulted ceiling on the fireplace side.

The whole area is southern exposure with lots of windows and tons of light.  The family also has 2 skylights.

The space before had very little color.  White walls with a stenciled design around the top.  Cream sofas with small colored pin stripes. Cream tile floor in the kitchen, light oak cabinets…you get the picture.  BLAH.

My goal was to add lots of color.

The new kitchen cabinets are a medium-maple shade.  The counters are “verde butterfly” granite – a grey/green/blue with black, gold, cream and specs of deep red.  The deep red you really only can see when the light hits it right.  The floor will be a 13 x 13 porcelain tile – colors vary from deep grey to light grey and various shades of beige (i.e. LOTS of variation in the tiles).  The backsplash will be fully tiled with a natural stone tile that is creamy colored.

Now I am trying to decide what to paint the walls.  I have already added a lot of color just with the cabinets, granite and floor.  So perhaps I no longer need to worry about putting lots of color on the walls.  I don’t know whether to paint each distinct area its own color – (1) nook (2) kitchen/hall (3) family room, or if 3 colors is too many, given all the color in the new kitchen.

The colors I am drawn to are earthy reds, greens, tans/browns and golds.  Although the granite has a lot of grey/blue in it, I really do not want grey or blue on the walls.

I would like a bold color in the nook – 3 sides of the nook are all windows (the 4th side being open to the kitchen)…I was thinking of something in the deep red family.  But then I am lost as to what to put in the family room (which has LOTS of wall space) and the “hallway”.

Any advice or ideas?  I can send pictures of the space if that helps.

Thanks-

Suzy in Maryland

Ok, deep breath. This is not as hard as it seems. First off, I want to congratulate you on your Kitchen remodel. You have made some wonderful choices. I am especially delighted in the backsplash. Using a darker tile as a border and then rotating the creamier remainder will be unusual and interesting. And your choice for a variegated tile floor will be very dynamic. 

Your biggest challenge is finding a way to blend the older but still pristine wallpaper with your more current choices. Since the Dining Room wallpaper is so visible from many angles in the Kitchen, it would be a mistake to just ignore it. The good news is the teal tone below the chair rail, though dated, coordinates well with the new granite. The bad news is….the very 90’s burgundy in the stripes make using red virtually impossible. Today’s reds are very “earthen”. In other words, they have a lot of orange in them. Plus, you already have a lot of tones of red: in the brick fireplace, in the cabinets and, of course, in the wall paper.

 My solution would be to paint the Eat-in Nook, which butts to the exigent wallpaper, Waterbury Green. (HC-136 from Benjamin Moore). This tone is bluer than the sage green choices you already tried, but it will act as a perfect connector to from the old to the new. Plus, it is really beautiful. I believe it will draw some color out of the granite and will harmonize perfectly with the orange undertone in the cabinet and the teal in the wallpaper.

The Kitchen proper, and the hallway containing the Mudroom and Half Bath should be a soft but strong gold. Try Henderson Buff (Benjamin Moore HC-15). A soft gold that is not too yellow or bright will set a perfect note that allows the cabinets to sing. The cabinets should steal the show here, not the wall color. (Ok, enough with the theatre metaphors.) You should also sample Summerdale Gold (Benjamin Moore HC-17) since there is a lot of light entering the room. Repaint all the trim and doors and ceilings white. My favorite is Cloud White OC-130.

Now for the finale. Oh no, I said I was done with the metaphors…I want you to paint the Family Room a deep rich brown. Don’t be scared! This will be stunning. You have all the elements to make it work— A tall vault in the ceiling, skylights, and a pair of glass doors. Use Middlebury Brown (HC-68, also Ben Moore). This brown has enough red it in to make it lively, and will bridge the three colors of tile and the accent stain in the ridges on the cabinets with the reds in the brick on the fireplace. If facing the fireplace, paint the wall to the right brown all the way to where it ends on the short wall to the left of the refrigerator. All sides of this short wall will be gold. You can decide which of the three colors you would like on the half wall on the back of the second island.

Bold reds aren’t forever gone. They can be added back in on furnishings and in accessories. I would love to see a huge piece of art on the long Family Room wall with brighter, bolder tones of all the colors we used.

Thanks for writing, Suzy! Remember to send pictures of the “After”!

One Room Two Options

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Filed under Accessorizing, Color, Current Projects, Design Principles, Living Rooms, Rooms

Cinde and I have worked together for many years.  She originally hired me immediately upon our meeting  at a Chamber of Commerce function. Only a few days prior, she had closed on a beach house still under construction and  she had some pressing decisions to make regarding the cabinets and counters.  So our meeting was fortuitous.  Since then, we have done many projects together. 

Her family room is the latest.  We chose the paint colors at least a year ago.  A deep sage covers three walls, and the far, fireplace wall is a russet. 

I gave her these two options.   

 

Option 1: Sofa  Chair  Rug  Drapery Panel   Media Stand  Coffee Table  Console  Pillow  Vases

Option 2:  Sectional  Chair  Rug  Ottoman  Side Table  Media Center  Pillow  Pillows  Vases

Ranch Dressing

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Filed under Current Projects, Design Principles, Foyers and Entryways, Rooms, Texture

I met again with JoDee and Jonathan a few weeks ago, and they have been finishing projects faster than I can assign them. This is our second home together, and this time the vision is RANCH. JoDee wants the house to look modern, yet timeless. Cozy but Clean-like a vacation property out west, without the requisite kitsch.

Working beyond the usual triumvirate of furniture, wall color and window treatments, we are adding some unique touches to the structure of their new home. Texture is a key element in creating a warm and cozy space, especially in homes with larger square footage. Their home has upgraded elements such as picture frame molding in the Second Floor Hall and in the Dining Room, and while these are beautiful on their own, we decided to kick it up a notch.

The upper section of the Hall, above the chair rail, was painted Tavern Taupe from Sherwin Williams. Normally I am a fan of leaving the entire lower area, moldings and all, high gloss white, and we did this in the more formal Dining Room. But the Upstairs Hall needed that all important texture. Unconventionally, I chose a lighter shade, Stone Lion, for the bottom beneath the chair rail. And here comes the fun part: JoDee, at my suggestion, upholstered the framed area with batting wrapped in burlap.

Although I have yet to see it, here is what she said as she sent these photos from her iPhone. “Perfect!” “AMAZING!!!” “You have GOT to see this!” Yea, I think she likes it.

Burlap upholstered and added inside picture frame molding.

You can see the darker upper paint, Tavern Taupe, better here.

The corner.

And a smaller section.

Design Notes: the DWR Newsletter

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Filed under Accessorizing, Design Principles

Design Notes: the DWR Newsletter & Blog

I put this here using the little icons at the end of the article, which I thought was pretty cool and super easy.  And while this article does support my political leanings/belief system, that is not the reason I have posted it…’cuz People!  This is a Design Blog!  I shared it because of the picture of the book shelf with color coordinated books.  We just talked about that… Weird, huh?

Posted using ShareThis

On Making Librarians Grow Faint

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Filed under Accessorizing, Color, Design Principles, Individualized Advice

An email from a reader:

Hi Denise
I have noticed a lot of photographs lately on the decorating blogs of books displayed by color on shelves.  What do you think about this?  Thanks for taking the time to answer, Jesse

Well, Jesse, I’ve seen a lot of this, too.  We must be reading the same stuff!  This picture made the blog rounds many times.  Whoever did this certainly caused an uproar!

I decided to go around my house and take random pictures of a few of the millions of stacks of books I have.  It is hard not to notice that I tend to do this.  Not as rigidly as the picture, mind you, but certain colors tend to–congregate.  I can’t really help myself. 

Citrus colors by my bed

lighter greens on my nightstand.  I really don't like the color green of that imfamous Domino book.

Oranges at the foot of my bed

More Citrus in the Library

I think this stack of greens and blues is so pretty!

But these are "my" colors.  I am comfortable in these tones...

Learning Distance

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Filed under Design Principles

sailing

We went to Ohio this weekend.  Yes, it was nice to spend some time Mother’s Day with my mom and sister, but the actual reason for the trip was for my eldest daughter to attend a sailing clinic.  As is the norm with these things, I hung back, listened and watched.  Sailing is not MY sport, but my two girls’.  I possess the “book knowledge” thus, as my kids will tell you, none of the skill. 

Well, lo and behold, Nicole, the instructor, spent a portion of her time discussing the importance learning to distinguish distances.  While she referred to boat lengths in her topic, I have to say, I gained some insight on how I can improve my own design skills.  If I am to be completely honest, I must admit that as good as I am at memorizing and visualizing color, I am conversely deficient in my skills at judging distances.   

Nicole stressed to the junior racers how important it is to portion out an area the length of their boat and get familiar with it.  She told them they need to walk the space over and over, and then memorize it visually from a distance. 

Perhaps I should do this with…a standard sofa length?  A queen size bed?  An armchair?  Or maybe a just 12 feet as a standard reference.